Wednesday 21 October 2009

'R. Crumb Uncovered' at Scream Gallery

PRESS RELEASE

R. CRUMB UNCOVERED

12 November – 12 December 2009

Private View Thursday 12 November 6-9pm

34 Bruton Street, London W1J 6QX
























Robert Crumb, otherwise known as R. Crumb, is one of the leading figures of the 1966/ 67 underground comic movement. Philadelphia-born Crumb exploded onto the scene in the late 60’s, heralding a renaissance of underground sex and drug comics. His LSD-inspired characters Fritz the Cat and Mr. Natural quickly established him as a counter-culture icon.

Encouraged to create comic books as a child by his artistic brother Charles, Robert soon surpassed his sibling, and what was a form of escapism from a childhood spent in a dysfunctional family ruled by an abusive Father and neurotic Mother, translated into a lifelong career that has culminated, at the age of 66, in critical recognition for his work not just as a comic book creator, but an acutely observational fine artist in the vein of Guston or Goya. Crumb’s material is often inspired by the absurdity of humanity. His drawings are exhibited in blue-chip galleries and museums all over the world. He has published in countless comics, books, and magazines, and has in recent years been recognized by the broader art world with numerous exhibitions, including; R. Crumb’s Underground at the ICA in Philadelphia in 2008; a retrospective at the Ludwig Museum, Cologne in 2004; and a focus in the 2004 Carnegie International, Pittsburgh.

"I think Crumb is the Bruegel of the last half of the 20th Century…he gives you that tremendous lusting, suffering, crazed humanity".
Robert Hughes


The exhibition at Scream Gallery will be part of Comica, the London International Comics Festival, which takes place at the Institute of Contemporary Arts (ICA) from 5-26 November.

Curator Brandon Coburn has selected the finest drawings from a rare collection of more than 300 pages of Robert Crumb drawings dating from the 1960’s to 2001. The Symbolic Collection has been amassing the collection of drawings and original comic books since 2003. The exhibition will mainly feature Pen and ink drawings, but will also include sketchbook pages, greeting cards, ink on acetate, and one very rare oil painting, in the vein of a cubist Picasso portrait. Some of the artworks have been exhibited at PULSE Miami and PULSE NY, and this is the first time they’ve been shown in the UK.

"The tradition I see him belonging to is the one of graphic art as social protest and social criticism. There are elements of Goya in Crumb".
Robert Hughes










The exhibition will feature all the iconic characters including; Fritz the Cat and Mr. Natural. Frisky Fritz the Cat is up to his old tricks in ‘Fritz the No-Good’. An original drawing for the cover of Motorcity Comics features a typically Amazonian Crumb woman, putting the boot into a bulky New York cop. His rendering of a ‘girl commando’ has a visceral impact as she shouts Join the world – family revolution or die!!! A drawing of legendary singer and comic book fan Janis Joplin, singing into a phallic microphone, is printed on a sheet of acid tabs and signed by Timothy Leary.

"I had this big change in 1965 and 66 and it was visionary you know. I took this weird drug. Supposedly it was LSD but it had a really weird effect where it made my brain all fuzzy…I started getting these images of cartoon characters I’d never seen before, and drawing these stream of consciousness comic strips".
Robert Crumb

Crumb’s iconic character ‘Mr. Natural’ is featured in ‘”on the bum again”, a strip where a cowgirl lasso’s him, sits on top of him and demands ‘Just tell me real quick what the secret of the Universe is”. This interest in the universe illustrates his spiritual leanings, which have come to the foreground with the recent international publication of his latest and most epic project – an illustration of The book of Genesis. Hardcore fans may be surprised by his new topic, although this time it’s not a satire, it’s a beautiful depiction of the Bible in the mould of William Blake that he created over a period of 5 years, in isolation in a shepherd’s hut in rural France. The original Genesis pages will be on display in The Bible Illuminated: R. Crumb’s book of Genesis at the Hammer Museum in LA from 24 October 2009 to 7 February 2010. Crumb was raised as a Catholic and admits that he believes in God, and spiritual forces in the Universe. Maybe the psychedelic sex-obsessed Crumb of the 60’s and 70’s has mellowed in his old age.

"When I first met him he never talked, he just drew the whole time. The only voice he had was his pen". Aline Crumb


NOTES TO EDITORS:

Address: Scream Gallery, 34 Bruton Street, London W1J 6QX
Telephone: + 44 (0) 20 7493 7388
Opening times: Mon-Sat 10am-6pm


www.screamlondon.com


www.symboliccollection.com

www.comicafestival.com


PRESS:

Kultureflash
http://www.kultureflash.net/current/#event6581

Dazed Digital
http://www.dazeddigital.com/ArtsAndCulture/article/5924/1/Paul_Gravett_Talks_Comics

Time Out
http://www.timeout.com/london/art/event/166110/ctrlaltshift-unmasks-corruption

Monday 12 October 2009

Frieze Art Fair 2009/ Kilimanjaro/ Art India/ Whitehot Magazine

Lee's interview with Ryan Gander at Frieze Art Fair for Whitehot Magazine is online now:

http://www.whitehotmagazine.com/


Lee reviewed the Lisson Gallery's summer 2009 show for the latest issue of 'Art India' Magazine. Read it here:











Lee has written the introduction for the special Frieze edition of Kultureflash:

http://www.kultureflash.net/archive/298/frieze_2009.html

Lee's interview with Al Braithwaite is in the new issue of Kilimanjaro Magazine:

http://www.kilimag.com/

Wednesday 7 October 2009

Poland Street Underground 2009: KONTROL











Image by Artur Zmijewski
Repetition (2005)
Courtesy of Zacheta National Gallery of Art





Poland Street Underground 2009: KONTROL

November 13 – 14, 2009

VINYL FACTORY GALLERY, 51 Poland St, London W1F 7RJ

http://www.designweek.co.uk/soft-surveillance/3006277.article

http://www.spoonfed.co.uk/london/event/poland-street-underground-2009-underground/at/the-vinyl-factory/


Poland Street Underground is an annual two-day event organized by the Polish Cultural Institute, in partnership with Wodka Wyborowa, that attracts thousands of visitors. This year’s edition of Poland Street Underground is part of Polska! Year – a celebration of Polish Culture, marked by a series of events and exhibitions bringing the best of Polish art, film, design, architecture and music to the United Kingdom; Surrealist filmmaker Wojciech Has is the subject of a Barbican retrospective; Tomasz Stanko performs at the London Jazz Festival, and Robert Kusmirowski has transformed The Curve gallery at the Barbican with his Bunker installation.

Significantly, 2009 is the 20th anniversary of the fall of the Iron Curtain, and this historic event alongside Orwell’s prophetic book 1984, provide the backdrop for the 3rd Poland Street Underground: a multimedia art exhibition in the heart of Soho, featuring archival film footage, multi-sensory installations, documentaries, music and even poker lessons: The School of Poker will be provided by PartyPoker.com at the Friday night private view, and on Saturday night, plus banned or clandestine literature from Black Market Books and associates will be exhibited within the space (blackmarketbooks.net). Leading Polish artists and architects dispel Cold War myths, delve deep into Polish counter-culture, and explore the meaning of freedom in a 21st Century post-Iron Curtain society.

An innovative sanatorium-style interior will be created in the subterranean space by award-winning architects Moomoo. The interior design will feature the latest in surveillance and crime control technologies, as well as moveable inflatable walls designed to create a safe, easily controlled, white space. Visitors will find a clandestine bar located somewhere within the labyrinthine installation. The event is supported by Wodka Wyborowa, who will provide refreshments with a Polish vibe at the private view. On the second day of the event (Saturday 14 November), which is open to the public, Adam Ficek of Babyshambles will spin the tunes in the evening, and visitors will be invited to win beetroot martinis in a competition, and take part in poker lessons.

The film programme includes the inaugural screening of an English translation of the History of Polish Rock, which penetrated the Iron Curtain to unveil a rare glimpse of the Eastern Bloc music scene, through insightful interviews with Polish musicians and rarely seen archive footage. The documentary features footage of the inaugural Jarocin Festival, the only Eastern block rock festival, and of the 1967 Rolling Stones concert in Warsaw, when they found themselves in Poland after their eviction from Moscow. Hippies, Punks, Heavy Metal and Reggae fans light up the screen with an array of crazy outfits and dance styles.
Films by one of Poland’s greatest filmmaker’s, Oscar-nominated Lodz Film School graduate Marcel Lozinski, will be featured in the Poland Street Underground programme. Lozinski experienced censorship at first hand, and the banned shorts he made in pre-Solidarity Poland - Matriculation or Egzamin Dojrzalosci (1987) and The Microphone Test (PrĂ³ba Mikrofonu 1981) -will be screened along with Happy End (1973) and Practice Exercises. Lozinski’s celluloid explorations of social reality provide invaluable insights into the experience of Poland before the fall of the Iron curtain.

Artists in the Poland Street Underground include Artur Zmijewski, Rafal Bujnowski, Jaroslaw Kozakiewcz, Joanna Rajkowska and Rafal Jakubowicz.

Radical video artist Zmijewski will show his film Repetition (2005), which was shown at the 2005 Venice Biennale where he represented Poland. Repetition is a re-enactment of Philip Zimbardo’s 1971 ‘Stanford Prison Experiment’, where the reactions of ordinary people given the roles of prisoner and warden in an artificial prison, were documented on film.
Another radical, yet humorous artist is featured: Rafal Bujnowski’s Visa is a witty comment on identity and perception. Bujnowski managed to cross the US border with an official passport containing a photorealist self-portrait, by duping the consulate workers into believing it was a genuine photograph. Bujnowski captures the zeitgeist of the surveillance society, whilst highlighting the power of contemporary artists to unveil flaws in bureaucracy.

Zmijewski has been quoted as saying “The world is a dangerous place”, and performance artist Joanna Rajkowska’s Let me wash your hands, will emphasise the prison-like ambience of the Poland Street Underground, as she proceeds to sterilize the hands of visitors. Although the iodine solution Rajkowska uses prevents infection, as the Artist herself admits “it will never make your hands or my mind clean”.

Rafal Jakubowicz’s Arbeittsdiszplin (2002) continues with the theme of imprisonment. His installation consists of a postcard featuring a Poznan car factory viewed from the wrong side of an iron fence, juxtaposed with an Orwellian video of a security guard surveying the factory. Jakubowicz’s installation evokes unsettling memories of concentration camps and fear of corporate discipline.

Sanopticon (2005) by Jaroslaw Kozakiewcz, takes the theme of prison to inner space. Art and architecture meet in Kozakiewcz’s futuristic circumterresstrial-orbit prison. Sanopticon exists in an imaginary late-21st century Utopia, a world where technological advances and genetics have eliminated disease and virtually eradicated death, and anyone resisting these imposed ideals would be banished to Sanopticon. The Artists, filmmakers and designers involved in Poland Street Underground attempt to open your eyes and fight against the surveillance society that threatens to remove our liberty.


NOTES TO EDITORS:

The third edition of Poland Street Underground is supported by the Adam Mickiewicz Institute as part of POLSKA! YEAR 2009-2010, which aims to bring Polish culture to a wider UK audience. POLSKA! YEAR runs from May 2009 to May 2010. To find out more visit www.polskayear.pl

UK COLLABORATORS INCLUDE;
Graphics and branding by Richard & Keith of Power Animal; Editorial and curatorial assistance by Amber Marks, author of Headspace: One Woman’s Adventures in the Surveillance Society; design assistance by Nick Reynolds (Artist and member of Albama 3) and Interactive technology design by La Maquina de Curiosidad.

Event: Poland Street Underground 2009: KONTROL.
Address: VINYL FACTORY GALLERY, 51 Poland St, London W1F 7RJ
Private view: Friday 13 November between 6pm - 11pm by invitation only
Public opening times: Saturday 14 November between 1pm - 10.30pm. FREE admission
Nearest underground: Oxford Circus

Websites:

http://www.polishculture.org.uk

http://www.polskayear.pl/en

http://www.culture.pl/en/culture/artykuly/os_jakubowicz_rafal

http://www.iam.pl/en/site

http://www.raster.art.pl/gallery/artists/bujnowski/bujnowski.htm

http://www.moomoo.pl

http://www.kozakiewicz.art.pl

http://www.rajkowska.com

http://www.culture.pl/en/culture/artykuly/os_zmijewski_artur

http://www.wodka.com

http://www.partypoker.com/


http://www.blackmarketbooks.net/


Marcel Lozinski

He is one of the internationally most acclaimed Polish film documentary filmmakers, boasting prizes from numerous film festivals, including Oberhausen, Krakow, San Francisco and Leipzig, and holding prestigious lifetime awards, most notably 1995 "Polityka's Passport" in the film category, 1995 Culture Foundation's Award, 2000 Minister of Culture and National Heritage award, the 2004 "Jancio Wodnik" Award at the 11th "PROVINCJONALIA" NATIONAL FILM ART FESTIVAL in Wrzesnia, and the Andrzej Wajda Freedom Award received at the INTERNATIONAL FILM FESTIVAL in Berlin in 2004. He was nominated for an Oscar Academy Award for his documentary 89 MM OD EUROPY [89 MM FROM EUROPE] in 1994.

Artur Zmijewski

Artur Zmijewski has exhibited throughout the world and is a highly acclaimed artist. He represented Poland at the 2005 Venice Biennale and was the highlight of Documenta12 in 2007. The artist decided to re-conduct the experiment of Philip Zimbardo from 1971, known as the Stanford Prison Experiment. The experiment was to prove that human behaviour is predictable and depends on the circumstances people find themselves in. Over thirty years later, Zmijewski recreated Zimbardo's experiment in Poland. The experiment had a different outcome this time, with the participants (both prisoners and wardens) deciding to leave the prison, revolting against the author of the project. Zmijewski's film aroused much controversy in his home country.

Rafal Bujnowski

Rafal Bujnowski (b.1974) is one of the most radical and intelligent contemporary painters. His works are a brilliant blend of two seemingly remote artistic disciplines - painting and conceptual art. The theme of the Bujnowski's successive projects - paintings, videos, objects or actions - are the conventions linked to the social functioning of the artist and the works of art, as well as the conventions present in the art itself. Rafal's paintings are an example of fully aware conceptual painting - his objects, disclosing and changing meaning depending on the surrounding in which they are placed, are peculiar models of an artwork. They reveal a tension between the process of artistic production and consumption.

Jaroslaw Kozakiewicz

Jaroslaw Kozakiewicz (b.1961). Lives and works in Warsaw. Sculptor and author of architectural projects, installations and set designs. Studied at the Academy of Fine Arts in Warsaw (1981-1985) and the Cooper Union for the Advancement of Science and Art in New York (1985-1988). Obtained a PhD degree from the Warsaw Academy of Fine Arts in 1997. The inspirations for Kozakiewicz´s artistic-architectural projects include; contemporary ecology, genetics, physics, astronomy, and ancient cosmological concepts searching for relations between microcosm and macrocosm. Noticing an analogy between the human body and the natural world, Kozakiewicz questions the anthropometrical character of Vitruvian man as the traditional paradigm of architecture and instead proposes an organic paradigm or `geometry of the inside'.

Joanna Rajkowska

Joanna Rajkowska is an emerging Polish artist-, who was recently announced by the British Council as Polish representative in a major public art project, My City, which brings culture to the forefront of relations between Europe and Turkey. Rajkowska’s most widely documented works include; Pozdrowienia z Alej jerozolimskich/ Greetings from the Jerusalem Avenue (2002-2009) and Dotleniacz/ Oxygenator (2006-2007).

Rafal Jakubowicz

Born in 1974 in Poznan. Painter, video and installation maker, art critic. Graduated from the Academy of Fine Arts in Poznan - Department of Artistic Education (1999) and Department of Painting, Graphic Arts and Sculpture (2000). At present he is on doctoral studies at the Institute of Art History at Adam Mickiewicz University in Poznan and teaches at the Academy of Fine Arts. In 2002 he co-founded the artistic group WUNDERTEAM. From 2005 he has been the member of the International Association of Art Critics - AICA. He lives and works in Poznan.


For further information, press enquiries, images or interview requests contact:
Lee Johnson PR on + 44 (0) 7814 862 834 or lee@lee-johnson.co.uk
Paddy Barstow on +44 (0)7866 566 040 or paddy@patrickbarstow.com